Archive for like this press
The latest publications from Like This Press are two new collaborations by SJ Fowler with Ben Morris and David Kelly, the Estates of Westeros and Gilles de Rais. Each box contains 34 loose-leafed A5 postcards, blending text and image.
The Estates of Westeros is where avant garde poetry meets avant garde illustration. Whether perception or reality, housing estates are environments of occlusion, claustrophobia and damage, and poetry about them has a responsibility to reflect this complexity and intensity in its tone and form. The Estates of Westeros is a meditation on this living space through the universe of George RR Martin’s Game of Thrones, and where Gilles de Rais explores the absurdity of mythmaking in that which once was real, the Estates … explores the grinding realism at the heart of the fantastical.
In Gilles de Rais – an interchangeable narrative reflection on the life and legend of Gilles de Rais – this fusion of avant garde poetry and modernist line drawing aims to satirise and subvert the manner in which the monstrous myth surrounding such de Rais is echoed in our own time by Jimmy Saville. This is the disjunctive folklore of idiot’s resounding through the ages, from 15th century France to 21st century Britain.
Both books can be purchased for £9 direct from Like This Press: http://www.likethispress.co.uk/publications/sjfowlerandbenmorris
Special offer: buy the Estates of Westeros with Gilles de Rais together for £15 from here: http://www.likethispress.co.uk/specialoffers
the Estates of Westeros and Gilles de Rais launched as part of the Enemies of the North project on 30 March, at the Cornerhouse, Manchester. Both books will feature also in the group exhibition,Synesthesia, organised by Leap into the Void & held at Darnley Gallery, in Hackney, London, 12-19 April. For more information, see: http://leapintothevoid.co.uk/2013/03/26/synesthesia-15th-19th-april-2013/
SJ Fowler is a poet living in London. He’s published four collections of poetry including Fights (Veer books) and Minimum Security Prison Dentistry (AAA press), and has collections forthcoming from Penned in the Margins and Eggbox publishing. He has been commissioned by the Tate, the London Sinfonietta and Mercy and has read and exhibited across Europe. He curates the Enemies project, supported by the Jerwood Charitable Foundation, and Maintenant, a series of reading and interviews focusing on contemporary European poetics and collaboration. He is currently undertaking a Phd at the Contemporary Poetics Research Centre, Birkbeck College and is an employee of the British Museum. www.sjfowlerpoetry.com / www.blutkitt.blogspot.com / www.weareenemies.com /
David Kelly is an artist working in the modernist tradition, currently with a centre of interest in collage. He has collaborated with and ‘visually translated’ numerous writers and poets including David Berridge, Daniele Pantano and SJ Fowler. His collaborative works have been exhibited at The Saison Poetry Library, The Horse Hospital, My Pixxa and Rich Mix. He received a degree from the University of Leeds School of Fine Art, History of Art & Cultural Studies in 2007 and is now an employee of the British Museum.
Ben Morris is a London based experimental musician and artist. He has been active in the UK underground music scene since 2005 and is best known as 1 half of Chora, which he formed with Robert Lye in Sheffield. He has gigged and toured extensively throughout Europe receiving critical praise in The Wire magazine, on webzines such as The Quietus, Dusted and Foxy Digitalis and on radio stations like WFMU (America), VPRO (Holland) and BBC radio 3. Chora have a large multi-format back catalogue on labels like ChocolateMonk, Singing Knives Records and Winebox Press. He has played gigs with Sonic Youth, Wolf Eyes and Psychic TV as well as shows at Colour Out Of Space Festival, the ICA and at the Liverpool Biennial. He has received commissions from Mercy for collaborative sound performances with Steven Fowler. Other musical projects include: Le Drapeau Noir, Akke Phallus Duo and he records/performs solo as Lost Wax…
Out now on Like This press, Where Were You When the Stars Went Out? consists of a group of 10 poems in memory of the singer Jhonn Balance (of the group Coil), composed by applying a chance selection procedure derived from Jackson Mac Low to Rilke’s “Duino Elegies”, then treating the results of that process as a first draft to be edited, shaped, added to, deleted from, etc. Phil Davenport has commented how: ‘Nigel Wood allows himself to be a vessel of others’ voices, other modes of hearing. In this daring but subtle book he uses another human’s life as material for an experiment in both commemoration and forgetting. Where were you... is a scattered memorial for the musician Jhonn Balance, quite unlike the ‘lead graves’ and last words that are usually stacked up to make the obituary of a life. In fact, they frequently mock the ponderousness of death-speak and the gothic. But more intriguingly, as I read some of these pieces I have the sense that the lines have been somehow erased even as they’ve touched the surface of the page, they’re the gaps in narratives, the pieces of half-dusted thinking, the moments of lucidity that toppled. It’s a book that’s been lived rather than written, or, more fancifully, I suppose it’s a book that’s been ‘died’. Wood’s melodic transliterations of this other-space sing from from the page, they’re scores of what comes between – breathings-in and whiteout. This little book of un-ideas imprints on me deeply – and has done so from the first time I encountered it. The details are so sharp and so heavy: childhood’s illnesses evaporate across the inevitable scales to nowhere Poised to a nicety, Wood writes us into some impossible conjuring trick – a knife blade balancing atop a pebble. The delicacy of these moments is often vertiginous, unsettled. Jhonn Balance lived forcefully, embracing both the shitstorm and the big light. Where were you… somehow manages to employ the forces that impinge on living as components of composition. It’s as if horror and happiness, disappointment, ennui, forgetfulness, transcendence have become tools for shaping. And out of it all, something emerges that is brisk and full of marvelling.’
- Jennifer Copley
- Nikolai Duffy
- Ian Seed
Tuesday 19th March. 7.30 at The Gregson Arts and Community Centre, (Olive Bar), 33 Moorgate, Moor Lane, Lancaster, LA1 3PY.
Free entrance. Open bar. Books to browse and buy.
New from Like This Press, The Tower of Babel comprises a set of 24 original postcards and an essay, both by Rupert Loydell, together with an anthology of Babel poems, featuring: Philip Terry, Sheila E Murphy, Andy Brown, rob mclennan, A.C. Evans, H.L. Hix, Angela Topping, Paul Sutton, Peter Dent, Camille Martin, Ian Seed, David H.W. Grubb, Seren Adams, Andrea Moorhead, Jane Routh, John Mingay, Luke Kennard, Steven Waling, Alan Halsey, Peter Gillies, Bill O’Brien, Mike Ferguson, David Hart, Martin Stannard, Rupert M. Loydell, Mark Goodwin, Natasha Loydell, Ira Lightman. Each box is hand-stamped and lined with black tissue paper.
BOX consists of three hand-stamped pamphlets, Each edition of BOX is hand-stamped and comprises three A5 pamphlets: Hairy Kate, Images of War, and Night Letters. Each item is hand-torn and hand-bound, and printed on heavyweight vellum-laid paper. Copies can be purchased here. Free postage and packing on all orders.
Out now from Nikolai Duffy’s Like This press, TURF explores relations of poets and natural history, both in the field and amongst books. Three handbooks – A Pedagogy of Grasses, Understanding Glaciers, and Bird Song for Dogs – provide basic orientation and identification skills, whilst notebooks and memos offer histories of Anglo-American poetry in which the geographer Carl Sauer and botanists Agnes Arber and Edgar Anderson are fellow travelers with poets including Charles Olson, Jonathan Williams and Lorine Niedecker. Throughout, Dürer’s image of The Great Turf is found-icon for this book-in-a-box chorale “Of [SODS] of [SODS] [SODS].”
Each box is hand-stamped and comprises three A5 pamphlets, one A6 essay and one A6 series of notes, together with a postcard of Albrecht Dürer’s 1503 drawing, ‘Great Turf.’ Each item is hand-torn and hand-torn and printed on heavyweight vellum-laid cream paper; each individual cover is hand-stamped.
Read a sample here
hand-bound, with hand-torn pages and hand-printed covers
card backs and paper
Copies can be purchased here. Free postage and packing on all orders.
David Berridge is a writer based in London. He curates VerySmallKitchen (http://verysmallkitchen.com/) and was recently writer in residence at X Marks the Bökship, where he researched the use of scripts and scenography in contemporary art writing. He is the author of Lemonade (LemonMelon), P.Z.T.C (Knives Forks and Spoons Press), BLACK GARDENS (The Red Ceilings Press) and The Moth is Moth This Money Night Moth (Knives Forks and Spoons Press).
Click here to watch an interview with David by The Other Room.
Based in Manchester, Like This is an independent press committed to publishing high quality and beautifully designed books that do things just a little bit differently. Currently we specialise in publishing handmade pamphlets and limited edition books-in-boxes. More information about the press can be found here.
David R. Morgan
4 pamphlets in one box
11 colour postcards
text and image
card covers, paper
printed in an edition of 30 hand-printed and numbered collector’s edition wooden boxes and 500 hand-printed cardboard boxes
Free p&p on all orders. More here.
Nikolai Duffy’s Like This Press launches with Waterloo, by JT Welsch. More details, including how to buy a limited hand bound and stamped edition, can be found at the Like This site.
Another new Manchester based press. This time Like This Press
Like This is a new and independent press based in Manchester committed to publishing high quality and beautifully designed books that do things just a little bit differently.
We are particularly interested in poetry, prose poetry, fragments, stories (the more curious the better), interviews, essays, and books as objects. There is an editorial leaning towards experimental traditions. We want work that is formally unusual, questioning, unexpected, and challenging; work that is interested in thinking about the hows and whys of literary practice, the place of books in the world, the relationship between writing and living, art and life, between literature, art, philosophy, religion, science, history, medicine. We especially like work that blends innovation with accessibility and wonder.