Archive for Jesse Glass
TOTAL RECALL 1 August — 3 October, 2015
BURY ART MUSEUM
Moss St, Bury, Lancashire BL9 0DR, United Kingdom
How do you remember the people who are important to you? How do you conjure your shared past? Is it in an image, a sound, a smell, a touch? Or do you use words?
We invited world-leading poets and text-artists to make a language-memory for Tony Trehy, who has directed the internationally renowned Text Festival at Bury Art Museum since 2005. This exhibition celebrates a 10-year anniversary of the Festival and a 20-year anniversary of Tony’s time at Bury. Writing on a wall, an Internet search, a diary entry, a flurry of thoughts … what is remembering and who is it for?
Tony Trehy has been the ring-leader of decade-long conversations, new opportunities, challenges and heated debates. Each of his four Text Festivals has added to a continuing dialogue between language and art. Every Text Festival has asked the audience a simple-but-complex question: How do I read?
Into the historic space of Bury Art Museum, Trehy has injected text that is a new ‘language art’ for the 21st Century. Bury was once the centre of paper-making in Britain, now it is a pioneer of language-making, with its Text Archive welcoming readers from all over the world.
TOTAL RECALL is a guerrilla makeover, an A4 invasion of reading into the larger narrative of looking. Unlike the street signs outside, these are not corporate instructions or sales pitches; they are antidotes. Walls, vitrine, archival box—nary a “book” to be found, but a heap of language left in memory.
TOTAL RECALL includes work by local, national and international text-based artists and poets: angela rawlings, Alan Halsey, Barrie Tullett, Carolyn Thompson, Cecilie Bjørgås Jordheim, Darren Marsh, derek beaulieu, Emma Cocker, Eric Zboya, Erica Baum, Jaap Blonk, James Davies, Jayne Dyer, Jesse Glass, Karri Kokko, Kristen Mueller, Lawrence Weiner, Leanne Bridgewater, Liz Collini, Lucy Harvest Clarke, Marco Giovenale, Márton Koppány, Matt Dalby, Mike Chavez-Dawson, Paula Claire, Penny Anderson, Peter Jaeger, Philip Davenport, Rachel Defay-Liautard, Robert Grenier, Ron Silliman, Satu Kaikkonen, Sarah Sanders, Seekers of Lice, Stephen Emmerson, Steve Giasson, Steve Miller, Tom Jenks, and Tony Lopez.
— derek beaulieu and Phil Davenport, Curators
Poetry. THE PASSION OF PHINEAS GAGE & SELECTED POEMS presents the best of Jesse Glass’ experimental writing in a single volume. Glass’ ground-breaking work has been hailed by poets as diverse as Jerome Rothenberg, William Bronk and Jim Daniels for its insight into human nature and its exploration of forms. Glass uses the tools of post-modernism: collaging, fragmentation, and Oulipo-like processes along with a keen understanding of poetic forms and traditions that stretches back to Beowulf and beyond. Moreover, Glass finds his subject matter in larger than life figures like Phineas Gage-the man whose life was changed in an instant when an iron bar was sent rocketing through his brain in a freak accident. The product of over 30 years of engagement with the avant-garde, THE PASSION OF PHINEAS GAGE & SELECTED POEMS is the work of a mature poet who continues to reinvent himself with every text he produces.
A native of Carroll County, Maryland, Jesse Glass now makes his home in Tokyo, where he teaches American literature and history at Meikai (Bright Sea) University. His books include LOST POET: FOUR PLAYS BY JESSE GLASS (BlazeVOX Books, 2010), Gaha Noas Zorge (New Sins Press, 2009), and THE PASSION OF PHINEAS GAGE & SELECTED POEMS (Ahadada Books/West House Books, 2006). Praised by Geraldine Monk, Jerome Rothenberg, Michael Heller, William Bronk, and other major voices of contemporary experimental poetry, Glass is an internationally acclaimed performer of his own work and features prominently at PennSound, Ubu Web, and in dozens of other anthologies and magazines devoted to “the sweet science.” He is currently developing a puppetry and poetry theater with the aid of his students. Glass’s literary manuscripts are archived in Special Collections at the University of Maryland Libraries, College Park and ten of his handmade, painted books are in the collection of the Tate Gallery, London.
Published by Ahadada Books/West House Books.
The new issue of Ekleksographia online magazine ‘William Blake and the Naked Teaparty’ guest edited by Philip Davenport features textworks that emphasise the touch – handwrit and haptic – particularly pieces that consider emotional engagements, human space – that weird trace and corporate/military erasure of the handmade, the human touch, the not-digital. These qualities link into the alternative tradition of poetics – and to ‘outsider’ artists who are owed a debt by the experimenters (an IOU all the way back to Will Blake, he and the Mrs sitting on the lawn in London afternoons, naked, drinking tea).
Contributors: Alan Halsey, Anna MacGowan, The Atlas Group, Ben Gwilliam, Carol Watts, Carolyn Thompson, Darren Marsh, Dave Griffiths, David Tibet, Geof Huth, George Widener, Geraldine Monk, The Gingerbread Tree, Hainer Wormann, Harald Stoffers, Helmut Lemke, Holly Pester, James Davies, Jesse Glass, Jonathan Penton, Julia Grime, Kerry Morrison, Kirstie Gregory, Laurence Lane, Lee Patterson, Li E Chen, Liz Collini, Matt Dalby, Michael Wilson, Morry Carlin, Nick Blinko, Nico Vassilakis, Patricia Farrell, Rachael Elwell, Robert Grenier, Robert Sheppard, Sarah Sanders, Sean Bonney, Stephen Vincent, Steve Waling, Sue Arrowsmith, Todd Thorpe, Tony Lopez and Tony Trehy
The issue goes online 15th March 2010 and will be launched with a 24 hour ‘live’ online writing event by Sarah Sanders
Series Editor Jesse Glass; this issue designed by Jonathan Penton.