Gauss PDF publishes digital works from writers and artists around the world. As opposed to an e-zine, it is Gauss PDF’s mission to publish complete works, much in the way a label or traditional publisher would. It also constitutes an experiment in multimedia publication, having hosted everything from digital video and zip files to YouTube playlists and image collections. It doubles as an archive of this work as well — an archive, hopefully, that effectively documents contemporary writing/art.
Out now:
The Commons
http://www.openned.com/print/category/sean-bonney
“The work was originally subtitled “A Narrative / Diagram of the Class Struggle”, wherein voices from contemporary uprisings blend into the Paris Commune, into October 1917, into the execution of Charles 1, and on into superstitions, fantasies of crazed fairies and supernatural bandits //// all clambering up from their hidden places in history, getting ready to storm the Cities of the Rich //// to the bourgeois eye they may look like zombies, to us they are sparrows, cuckoos, pirates & sirens //// the cracked melodies of ancient folk songs, cracking the windows of Piccadilly //// or, as a contemporary Greek proverb has it, “smashing up the present because they come from the future”.
Out soon:
Happiness – Poems after Rimbaud
http://www.unkant.com/p/publications.html#rimbaud“It is impossible to fully grasp Rimbaud’s work, and especially Une Saison en Enfer, if you have not studied through and understood the whole of Marx’s Capital. And this is why no English speaking poet has ever understood Rimbaud. Poetry is stupid, but then again, stupidity is not the absence of intellectual ability but rather the scar of its mutilation ////// Rimbaud hammered out his poetic programme in 1871, just as the Paris Commune was being blown off the map. He wanted to be there. It’s all he talked about. The “systematic derangement of the senses” is the social senses, ok, and the “I” becomes an “other” as in the transformation of the individual into the collective when it all kicks off. It’s only in the English speaking world you have to point simple shit like that out. But then again, these poems have NOTHING TO DO WITH RIMBAUD. If you think they’re translations you’re an idiot. In the enemy language it is necessary to lie.”
Out soon:
Mountain Press announces the publication of Timothy Thornton’s Jocund Day.
£5 / €7 / $10
http://mountain-press.co.uk/home.html
Forthcoming from Mountain Press, this year:
* Ryan Dobran, Shouts From OK Glamour
* Luke Roberts, False Flags
* The Prose of the English Intelligencer (edited by Luke Roberts, Reitha Pattison and Neil Pattison)
Tuesday, 4 October at 7:30 pm, featuring Linda Black and Ian Seed. Swedenborg Hall, Swedenborg House, 20/21 Bloomsbury Way, London, WC1A 2TH. Admission is free.
For details of the books that will be launched by the authors:
Out now and available on the Streetcake site, featuring:
‘Ranging from ocean to dry-land pub, prairie to outer space, this book’s good-humoured restlessness provokes us to think about relations between self and other. Andrew Spragg is a poet who can love; this book is in love with language without losing a grip on the world.’ Vahni Capildeo Matt Cockshutt http://yellotone.com/mattdefence.htm Julie Groves http://www.juliegroves.com/ Andy Spragg www.brokenloop.blogspot.com Anything Anymore Anywhere http://www.anythinganymoreanywhere.co.uk/
Can be bought for $10 / €5 / £4 at http://plantarchy.us/friends2.html and features:
* End-paper collages by Stuart Calton
* Sean Bonney’s “Letter on Poetics (After Rimbaud)”
* 7 poems by Michael Cannon
* A selection from “Recovery” by Ulli Freer
* 3 poems by Fabian Macpherson
* A play by Emma Hogan
* A poem by Will Stuart
* 2 poems by Caitlin Doherty
* 3 poems by Joshua Strauss
* 2 poems by Nat Raha
* A poem by Mahmoud Elbarasi
* A poem by Tom Raworth
* 3 notebooks poems by Tom Leonard
* A poem by Ollie Evans
* A poem by Ian Heames
* A selection from “Sourdough Mutation” by Peter Manson
* A selection from a sonnet sequence by Richard Parker
* A poem from Drew Milne’s sequence of architectural poems
* 2 poems by Colin Herd
* A selection from “Truffles grafts ducks” by Henri Deluy (trans. Jacqueline Kari)
* 2 poems by Lucy Sheerman
* A poem by Matia Szeghy
* 3 poems by Peter Morelli
* 3 poems by Keith Tuma
* A story by Jonathan Redhorse
* 3 poems by Rachel Warriner
* 4 poems by Ed Luker
* A selection from “Shouts From OK Glamour” by Ryan Dobran
* 2 poems by Tessa Whitehouse
* A selection from “Punk Faun” by Redell Olsen
* 4 poems by Matthew Klane
* 3 poems by Stephen Emmerson
* A poem by James Staniforth
* A poem by Posie Rider
* 4 poems by Sarah Kelly
* A selection from “FLASH BANG” by James Cummins
* 3 poems by Steve Willey
* A poem by Rosa van Hensbergen
* A poem by Neil Pattison
* A poem by Josh Stanley
* 7 poems by Will Rowe
* 3 poems by Jeremy Hardingham
* A review of Ian Heames’ Gloss To Carriers by Louis Jagger
Friday 23 – Sunday 25 September, 11-6pm daily
Whitechapel Gallery, London
London Art Book Fair: Wild Pansy Press Portable Reading Room
“‘Why Do Birds Suddenly Appear?’: a new work by Tamarin Norwood will be installed in the Portable Reading Room. Visitors are invited to contribute to a catalogue of popular reason, responding to questions drawn from the lyrics of popular songs.”
http://www.whitechapelgallery.org/exhibitions/the-london-art-book-fair-2011
http://www.wildpansypress.com
—
Sunday 25 September, 4-6pm
The Mews Project Space, 15C Osborn Street, London E1
Artists Books Weekend
“or-bits.com presents “On The Upgrade”, a new limited edition series in a box.
Contains new commissioned printed works by Patrick Coyle, Benedict Drew, Jamie George, Tamarin Norwood, Damien Roach and David Rule, each of which has been conceived as an extension of the work previously produced for the website.”
http://or-bits.com
—
Wednesday 28 September, 6-8pm
Format at PMS Watershed, Bristol
Tamarin Norwood: Artist Talk
“Tamarin Norwood is an artist and writer. Her work addresses the possibility of reciprocation between art and writing; practice and everyday life; production and circulation. Projects usually take the form of performance, objects or text. In her talk she will suggest a few ways of framing her practice, discuss her methods and influences, and present some untested work for discussion.”
http://www.formatnetwork.com
http://www.pmstudio.co.uk/about-pervasive-media-studio
—
Saturday 8 October 12-5pm
Spike Island, Bristol
LemonMelon Press at The Artists’ Books and Zine Fair
“’Limonade es war alles so grenzenlos.’ was one of Franz Kafka’s last sentences in his Aus den Gesprächsblättern published in Briefe 1902–1924. Cixous’s translation of Kafka’s sentence ‘Lemonade everything was so infinite.’ forms the basis of a series of seven titles written by seven different writers / artists – David Berridge, Julia Calver, Emma Cocker, Rachel Lois Clapham, Marit Münzberg, Tamarin Norwood and Mary Paterson.”
http://www.spike-island.org.uk/events/book_zine_fair
http://tinyurl.com/64zwong
—
Saturday 15 October, 7pm
RichMix, Bethnal Green Rd London
Maintenant Poetry IX: The Camarade Project
“Nine pairs of Britain’s most vital poets read original collaborations, specifically written in partnership for this event: Chris McCabe & Tom Jenks, Jack Underwood & Sam Riviere, Holly Pester & Patrick Coyle, Tamarin Norwood & Emily Critchley, Tom Chivers & Ben Borek, James Wilkes & Ghazal Mosadeq, Sean Bonnery & Jeff Hilson, Tim Aitkins & Marcus Slease, James Byrne & Sandeep Parmar. With Latvian, Macedonian, Russian poets Ilya Kaminsky, Igor Isakovski, Lidija Dimkovska, Anna Auzina, Karlis Verdins.”
http://www.lit-across-frontiers.org/
—
Saturday 22 October, 2-5pm
Tate Britain, London
BP Saturdays: Going Public
Tamarin Norwood: Doing Words with Things
“Encounter a collaborative visual conversation between a BSL poet and a sculptor of wire who are engaged in a series of symmetrical exchanges, leaving bundles of conversation discarded throughout the gallery.”
http://www.tate.org.uk/britain/eventseducation/musicperform/24647.htm
—
Saturday 15 October – Saturday 5 November
Soundfjord, London
Cast and Figment, curated by Matthew Mackisack
Including a re-broadcast and live discussion of my radio work “Musica Practica”, first broadcast on 1 and 5 February 2010 on Resonance 104.4FM.
http://www.soundfjord.org/
—
The Inscription of Art and Everyday Life, published May 2011 in activate (Issue 1, Vol 1.)
http://www.thisisactivate.net/2011/05/20/the-inscription-of-art-and-everyday-life/
—
The poetry scene in Europe seems, from the vantage of the UK, to be far more fluid and less divisive than that of the UK. This may not be true, but there certainly seems, through the regular festivals, readings, residencies and academic exchanges, a sense of physical communication between poets who traverse many nations, languages and traditions. In the case of a poet like Lidija Dimkovska, we seem to have an individual whose experience is truly pan-Balkan, traversing Macedonia, Slovenia, Romania … but whose reception is continent wide. She carries her influences with a fidelity that makes them invisible within her explicitly well considered and captivating poetry. A formidable academic, a poetic folklorist, a respected translator and an innovative and elastic lyric poet, we are pleased to introduce Lidija Dimkovska as the 73rd edition of Maintenant (and furthermore, we are very pleased that she will be reading at the Maintenant IX event on October 15th 2011 thanks to Literature across frontiers and Arc publications.)
http://www.3ammagazine.com/3am/maintenant-73-lidija-dimkovska/
Accompanying the interview are four poems by Lidija translated by Ljubica Arsovska and Peggy Reid
01 October · 14:00 – 17:00
Madlab
36-40 Edge Street
Manchester, United Kingdom
After the workshop this month:
Steven Waling on Charles Reznikoff: ‘Walking & Listening To New York’
*
WFN is an opportunity for innovative/experimental poets to present their work for feedback in a mutually supportive atmosphere. Ideally, please bring along copies of the work you intend to read for the other group members. Anyone who wants to come along but doesn’t want to read is also very welcome.
Thursday 22 September 7.30-9.30pm
The Bluecoat, School Lane. Liverpool, L1 3BX
Come to a sparkling evening of poetry from two of the North West’s most outstanding poets.
Colin Watts reads from his latest collection Taking Down The Tree House (Headland, 2011), exploring real and imaginary worlds.
Judy Kendall’s poetry explores the intimate connections between physical, visual and interior worlds. Her most recent collection is Joy Change (Cinnamon, 2010).
Music by our resident musician Ade Jackson.
Admission £3/£2
The Bluecoat, School Lane, Liverpool, L1 3BX
0151 702 5324
Liverpool Poetry Cafe – supported by Arts Council England and The National Lottery
press free press @ curzon: an evening of performing/writing/thinking: we invite one performer, set one writing experiment and you reply to one question
performing: NAT RAHA
writing: experiment no 1
thinking: HOW DOES THE PLACE/SPACE YOU ARE IN INITIATE YOUR FIRST ACTION?
bring along your reply – max 50 words
Preview of Vanessa Place for Monday 26th September’s event at The International Anthony Burgess Foundation (more details in middle column). Also up are Mick Beck & Alan Halsey (performing Hugo Ball poems) and Phil Hall.
Page at Penn Sound – http://writing.upenn.edu/pennsound/x/Place.php
Review of Notes on Conceptualism at Transveral Inflections – http://tinyurl.com/33jqkhg
halfcircle is now accepting submissions for its fourth issue, which will be released in December.
Readers at The Free Verse Book Fair organised by Charles Boyle
Ward Wood
Sue Guiney and Peter Phillips 11-11.45 Michael Horovitz
12-12.30 Happenstance Press
Jon Stone, Kirsten Irving, Lorna Dowell, Peter Daniels, Clare Best and D A Prince
12.30-1 Nine Arches Press
Ruth Larbey and Matt Merritt
1-1.30 Reality Street
Jim Goar and James Davies
1.30-2 Rack Press
Roisin Tierney, Nicholas Murray and Katy Evans-Bush
2-2.30 CB Editions
Christopher Reid and Nancy Gafford
2.30-3 Carcanet
Will Eaves and Ian Pindar
3-3.30 if p then q
Lucy Harvest Clarke and Tom Jenks
3.30-4 Flipped Eye
Max Wallis and Kate McLoughlin
4-4.30 Penned in the Margins
Gemma Seltzer and Siddhartha Bose
4.30-5 Waterloo Press
Jeremy Reed, Niall McDevitt and Philip Ruthen
Peter Hughes writes about the Knives, Forks and Spoons Press in general and imminent Other Room reader SJ Fowler’s The Red Museum in particular at the Poetry Book Society Poetry Portal:
“Earlier this year, Alec Newman’s Knives, Forks and Spoons Press was shortlisted for the Michael Marks Award for outstanding UK publisher of poetry in pamphlet form. It is easy to understand why. KF&S has been putting out an amazing range of innovative poetry at an extraordinary rate. There is a buzz and an urgency about the whole project which has made it a particularly welcome addition to the British poetry scene.”
If in Paris…
Double Change vous propose 4 lectures en septembre et octobre :
Vendredi 30 septembre, 19h00, Point Ephémère : Vanessa Place et Emilie Notéris
Lundi 10 octobre, 19h30, galerie éof : Lynn Crawford et Harry Mathews
Lundi 17 octobre, 19h30, galerie éof : Rae Armantrout et Joe Ross
Jeudi 20 octobre, 19h30, galerie éof : soirée en marge du colloque Gertrude Stein (20-21 oct, Grand Palais) avec Charles Bernstein, Thalia Field & Abigail Lang, Joan Retallack et Jean-Marie Gleize.
Some taster links for Phil Hall who reads on Monday September 26th at The International Anthony Burgess Foundation, Manchester (see middle column for more details). Other performers are Vanessa Place and Mick Beck & Alan Halsey (performing Hugo Ball poems)
INTERVIEW ABOUT HIS POETRY At OPEN BOOK TORONTO – http://tinyurl.com/y82m22a
SOME POEMS IN JACKET – http://tinyurl.com/3k9vq5l
otherroom.org 