Writing a long poem has an interwoven private and public temporality. Because of the number of variables set in play, one has (as a producer) deeply to desire that kind of activity in time. It’s a kind of erotic charge as well as an ambition—both expressing excess and desire—a longing and a sense of a vow. That is, long poems are a passionate activity, working inside time, constituted to engage various personal and historical necessities via poesis. It isn’t so much making a big Thing, but entering into a continuing situation of responsiveness, a compact with that desire.
New issue including:
Rachel DuPlessis
Will Rowe
Lawrence Upton
Johan de Wit
and more
via Carol Watts
